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PROGRAMME
Informations complètes : VISIONS
19H | PROGRAMME 1
I was grateful the wind tore out my camera’s microphone
Nour Ouayda | 2020 | Liban | numérique | 5 mins
Odorless Blue Flowers Awake Prematurely
Panos Aprahamian | 2021 | Liban | numérique | 6 mins
Towards the Sun
Nour Ouayda | 2019 | Liban | numérique | 17 mins
Not all things that shine are beautiful
Nour Ouayda | 2022 | Liban | numérique | 6 mins
Archive of the Future
Giorgio Bassil | 2023 | Liban | numérique | 16 mins
21H | Stranger than Fiction
Un programme de courts métrages proposé par NOUR OUAYDA
Every Morning
Nour Ouayda | 2021 | Liban | numérique | 1 mins
Before I Let Go
Cameron A. Granger | 2022 | États-Unis | numérique | 23 mins
Vole, vole tristesse
Miryam Charles | 2015 | Canada, Haïti | 16 mm vers numérique | 6 mins
The Secret Garden
Nour Ouayda | 2023 | Liban | S8 & 16mm vers numérique | 27 mins
BIOGRAPHIES
Nour Ouayda est une réalisatrice et programmatrice de films. Ses films expérimentent diverses formes d’écriture de fiction au cinéma. Elle forme avec Mira Adoumier et Carine Doumit le collectif Le Comité du Camélia. Elle fait partie du comité éditorial de Hors Champ, la revue de cinéma en ligne basé à Montréal. Elle a été entre 2018 et 2023 adjointe à la direction à l’association Metropolis Cinema à Beyrouth où elle a géré et développé le projet Cinematheque Beirut.
Giorgio Bassil est un artiste et cinéaste libanais. Son travail se caractérise par sa qualité contemplative et des récits oniriques explorant souvent les thèmes de la mémoire collective et de l’héritage.
Miryam Charles est une réalisatrice, productrice et directrice de la photographie d’origine haïtienne vivant à Montréal. Elle a produit plusieurs courts et longs métrages de fiction. Ses films ont été présentés dans divers festivals au Québec et à l’international. Son premier long métrage Cette maison a été présenté à la Berlinale, au AFI film festival en plus de faire partie du TIFF Top 10 en 2022. Elle a également lancé le court-métrage Au crépuscule au festival de Locarno. En tant que productrice, elle travaille présentement à la post-production de la série Après le déluge.
PROGRAMME
Complete information: VISIONS
19H | The films of Nour Ouayda
I was grateful the wind tore out my camera’s microphone
2020 | numérique | 5 mins
Odorless Blue Flowers Awake Prematurely
Panos Aprahamian | 2021 | numérique | 6 mins
Towards the Sun
2019 | numérique | 17 mins
Not all things that shine are beautiful
2022 | numérique | 6 mins
Archive of the Future
Giorgio Bassil | 2023 | numérique | 16 mins
21H | Stranger than Fiction
A programme of shorts proposed by NOUR OUAYDA
Every Morning
Nour Ouayda | 2021 | numérique | 1 mins
Before I Let Go
Cameron A. Granger | 2022 | numérique | 23 mins
Vole, vole tristesse
Miryam Charles | 2015 | 16 mm vers numérique | 6 mins
The Secret Garden
Nour Ouayda | 2023 | S8 & 16mm vers numérique | 27 mins
BIOGRAPHIES
Nour Ouayda is a filmmaker and film programmer. Her films experiment with various forms of fiction writing in cinema. She is a member of The Camelia Committee with Carine Doumit and Mira Adoumier and part of the editorial committee of the Montreal-based online film journal Hors Champ. Between 2018 and 2023, she was deputy director at Metropolis Cinema Association in Beirut where she managed and developed the Cinematheque Beirut project.
Giorgio Bassil is a Lebanese artist and filmmaker. His work is characterized by its contemplative quality and dreamlike narratives, often exploring themes of collective memory and inheritance.
Miryam Charles
From Haitian descent, Miryam Charles is a director, producer and cinematographer living in Montreal. She has produced several short and feature films. She is also the director of several short films. Her films have been presented in various festivals in Quebec and internationally. She has just completed the direction of her first feature film This House. Her work explores themes related to exile and the legacies of colonization.
Panos Aprahamian
Panos Aprahamian is a Berlin-based, Lebanese-Armenian ‘unfiction’ filmmaker, media artist, para-academic, and writer from Beirut’s peripheral rustbelt. His practice primarily focuses on slow violence, sacrifice zones, and Hypersitions. His Climate-fiction documentary-essay ‘Odorless Blue Flowers Awake Prematurely’ won the Ecumenical Prize at the 68th International Short Film Festival Oberhausen. His auto-ethnographic film ‘This Haunting Memory That Is Not My Own’ won the Jury Award for Best Visual Captivation of Dystopian Existence at the 7th Festival Internacional Signos da Noite as part of their Cinema in Transgression competition. He studied the various aspects of film and media production at the Lebanese Academy of Fine Arts and the University of the Arts London.
Cameron A. Granger is Sandra’s son & came up in Cleveland, Ohio. Inspired by the rigorous archival & homemaking practices of his grandmother, Pearl, Granger uses his work as a means to quilt his communal and familial histories, into new, not just potential, but inevitable futures. He’s an alumni of Euclid public schools, Skowhegan School of Painting & Sculpture, and the Studio Museum in Harlem AIR program.
