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PREMIÈRE VUE consiste en une série de projections de cinéma expérimental destinée au jeune public, de 5 à 17 ans, proposée par la lumière collective. Les programmes mettent en lumière le cinéma expérimental, poétique, abstrait et fait à la main ; en particulier des œuvres qui relèvent d’un cinéma d’art par opposition à des œuvres produites expressément pour un jeune public.
PREMIÈRE VUE is a series of experimental cinema screenings aimed at young audiences aged 5 to 17, proposed by la lumière collective. The programs highlight experimental, poetic, abstract and hand-made cinema; in particular, works that fall under the heading of art cinema as opposed to works produced expressly for a young audience.
PROGRAMME
L’animation musicale est devenue un genre important dans l’univers du cinéma, mais contrairement à la fiction et au documentaire, les artistes utilisent le son musical en animation comme un langage à part entière, qu’ils façonnent selon leurs propres expériences. Au cours du dernier siècle, de nombreuses méthodes de création en animation se sont développées, permettant auex artistes d’exprimer différents thèmes, idées et ambiances. Parallèlement, de nombreux sons, acoustiques comme synthétiques, ont pris forme.
Dans le cadre de PREMIÈRE VUE, Steven Woloshen, cinéaste, écrivain et artiste, proposera une projection en 16 mm explorant les multiples types de bandes sonores musicales utilisées dans les styles d’animation traditionnels.
La projection sera suivie d’un atelier de film artisanal en 35 mm qui permettra aux participants d’explorer la manière dont les images abstraites se transforment selon les genres musicaux. Nous utiliserons des peintures, des encres et des outils de grattage pour créer le mouvement, puis nous y ajouterons une musique préenregistrée afin de compléter le projet. Les participants seront également encouragés à créer leurs propres sons et à les intégrer à leur réalisation.
15 à 20 participants maximum
Réservations obligatoires
Didre Novo
Steven woloshen | 1983 | Canada | 16mm | 2 mins
Pepper Steak
Steven woloshen | 1984 | Canada | 16mm | 3 mins
Spheres
McLaren/Jodoin | 1969 | Canada | 16mm | 7 mins 38
Blinkity Blank
McLaren | 1955 | canada | 16mm | 5 mins 29
A Phantasy
MacLaren/Jodoin | 1952 | canada | 16mm | 7 mins 15
Boogie Doodle
MacLaren | 1941 | canada | 16mm | 3 mins 18
BIOGRAPHIES
À VENIR
PROGRAMME
Musical animation has become an important genre in filmmaking, but unlike live action and documentary, artists use musical sound in animation as an individual language, shaping it for their own experiences. In the last century, many methods of animation creation have evolved so artists could express different themes, ideas and moods. Additionally, many sounds have evolved alongside the film – both acoustic and synthetic.
As a part of PREMIÈRE VUE, Steven Woloshen, filmmaker, writer and artist will offer a 16mm screening that will explore the many types of musical tracks used in traditional animation styles. We will follow the screening with a 35mm handmade film workshop that will allow participants to explore how abstract images change with different genres of music. We will use paints, inks and scratching tools to create movement then add pre-recorded music to complete the project. Participants are also encouraged to create their own sounds and add them to the project.
15 to 20 participants maximum
Mandatory reservations
Didre Novo
Steven woloshen | 1983 | Canada | 16mm | 2 mins
Juju African Sacred music provides the trip through the handmade graphic jungle of hand lettering.
Pepper Steak
Steven woloshen | 1984 | Canada | 16mm | 3 mins
Frame by frame, we see abstract, hand-painted images tussle with scraps of photographic representation. Which will win? Woloshen crafts a cascade of visuals in the manner of Stan Brakhage: scratches on the celluloid, sprocket holes, fleeting geometric shapes are glimpsed for a split-second before being snatched away. Intermingled are flashes of heavily erased faces and places, occasionally bursting through into visibility. Cinema is the sum of this endless struggle.
Spheres
McLaren/Jodoin | 1969 | Canada | 16mm | 7 mins 38
In this three-part experiment in geometric abstraction, spheres with metallic reflections float and are propelled through space. René Jodoin and Norman McLaren completed the animation in 1946, but it wasn’t until 1968 that McLaren chose Glenn Gould’s interpretation of passages from Bach’s Well-Tempered Clavier for the soundtrack.
Blinkity Blank
McLaren | 1955 | canada | 16mm | 5 mins 29
With an explosion of abstract images engraved directly on film, this well-known Norman McLaren film shows bird-like creatures engaged in a strange dance of seduction.
A Phantasy
MacLaren/Jodoin | 1952 | canada | 16mm | 7 mins 15
In this surrealist triptych, Norman McLaren uses a variety of techniques to create dreamlike sequences that transport the audience into an intriguing imaginary world. The central part of the film is taken directly from Spheres, which was co-directed by McLaren and René Jodoin.
Boogie Doodle
MacLaren | 1941 | canada | 16mm | 3 mins 18
In this experimental animated film made in New York, pianist Albert Ammons’ “boogie” comes together with Norman McLaren’s “doodle” to produce a whirlwind of colours and rhythms.
BIOGRAPHIES
TO COME
